Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
I was in love the moment I opened an abridged version of Gibbon’s magnum opus as a young history buff, and was even more delighted when I sought out the multivolume full experience.
Gibbon’s view of the Roman Empire is magisterial and his footnotes are a cranky delight; he’s up-front when his sources have axes to grind and sourly suspicious of his own motivations.
Sure, he’s an 18th-century British colonialist with all that entails. He’s also deliciously ironic, hilariously sardonic, and does his mightiest justice when he’s skewering folly and tyranny of any stripe.
Spanning thirteen centuries from the age of Trajan to the taking of Constantinople by the Turks, DECLINE & FALL is one of the greatest narratives in European Literature. David Womersley's masterly selection and bridging commentary enables the readerto acquire a general sense of the progress and argument of the whole work and displays the full variety of Gibbon's achievement.
I hadn’t thought seriously about the problem of rubbish, sewage, and waste disposal before reading Jackson’s work.
I think it’s important, even crucial, for a fantasy writer to know where the poop and detritus go in the societies they’ve built; it’s part of the worldbuilding that gives an imaginary culture enough weight and heft to convince a reader.
Plus, Jackson’s prose is always marvelously clean, concise, and dryly funny.
In Victorian London, filth was everywhere: horse traffic filled the streets with dung, household rubbish went uncollected, cesspools brimmed with "night soil," graveyards teemed with rotting corpses, the air itself was choked with smoke. In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.
Through thematic chapters, Jackson describes how Victorian reformers met with both triumph and disaster. Full of individual stories and overlooked details-from the dustmen who grew rich…
This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.
I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.
Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.
Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these…
I love reading history and am fascinated by the Byzantines.
Norwich has an absolute gift not just for overviewing the major trends and events in history but also for choosing telling details that solidify the picture, reaching across centuries to empathize with people who were not so very different than us.
Plus, he’s scorchingly funny when the occasion calls for it. Both the abridged and the three-volume work walk that fine line between major events and small, crystalline, and often poignant or hysterically amusing details.
"Norwich is always on the lookout for the small but revealing details. . . . All of this he recounts in a style that consistently entertains." --The New York Times Book Review
In this magisterial adaptation of his epic three-volume history of Byzantium, John Julius Norwich chronicles the world's longest-lived Christian empire. Beginning with Constantine the Great, who in a.d. 330 made Christianity the religion of his realm and then transferred its capital to the city that would bear his name, Norwich follows the course of eleven centuries of Byzantine statecraft and warfare, politics and theology, manners and art.
Too often, our idea of history (or prehistory) is of men doing things and women silently following. Barber dives into the history of textiles to show how spinning, weaving, and cloth were not only drivers of culture and civilization but also a major technological achievement akin to harnessing fire and developing agriculture.
I was blown away both by the book’s premise and by the obvious passion and breadth of knowledge Barber brought to showing just how the stunning leap forward taken by women with spindles kick-started what we think of as civilization.
We take clothes for granted, but the first person to think of cloth rather than animal skins gave a great gift to humanity, one which may never be equaled.
New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies.
Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.
Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have…
A Flame in the North is a love song to various things: Norse mythology, werewolf lore, epic fantasy, and JRR Tolkien’s work, especially The Silmarillion. I wanted to write a protagonist whose strength lies in different areas than what we usually consider “epic,” in negotiation, wit, cunning, and endurance rather than brutality or swordplay.
Solveig’s role as a wisewoman and lord’s daughter is a very well-defined one. She’s responsible for negotiations, for judgment in legal cases, for protecting her settlement against disaster and evil influences, and as a woman, she’s also responsible for weaving the cloth that bedding, clothing, and other items depend on. Without the loom and the needle, her people would be naked and dead, and without her skill and cunning, they might suffer even worse.
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
