Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
I was in love the moment I opened an abridged version of Gibbon’s magnum opus as a young history buff, and was even more delighted when I sought out the multivolume full experience.
Gibbon’s view of the Roman Empire is magisterial and his footnotes are a cranky delight; he’s up-front when his sources have axes to grind and sourly suspicious of his own motivations.
Sure, he’s an 18th-century British colonialist with all that entails. He’s also deliciously ironic, hilariously sardonic, and does his mightiest justice when he’s skewering folly and tyranny of any stripe.
Spanning thirteen centuries from the age of Trajan to the taking of Constantinople by the Turks, DECLINE & FALL is one of the greatest narratives in European Literature. David Womersley's masterly selection and bridging commentary enables the readerto acquire a general sense of the progress and argument of the whole work and displays the full variety of Gibbon's achievement.
I hadn’t thought seriously about the problem of rubbish, sewage, and waste disposal before reading Jackson’s work.
I think it’s important, even crucial, for a fantasy writer to know where the poop and detritus go in the societies they’ve built; it’s part of the worldbuilding that gives an imaginary culture enough weight and heft to convince a reader.
Plus, Jackson’s prose is always marvelously clean, concise, and dryly funny.
In Victorian London, filth was everywhere: horse traffic filled the streets with dung, household rubbish went uncollected, cesspools brimmed with "night soil," graveyards teemed with rotting corpses, the air itself was choked with smoke. In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.
Through thematic chapters, Jackson describes how Victorian reformers met with both triumph and disaster. Full of individual stories and overlooked details-from the dustmen who grew rich…
This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.
I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.
Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.
Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these…
I love reading history and am fascinated by the Byzantines.
Norwich has an absolute gift not just for overviewing the major trends and events in history but also for choosing telling details that solidify the picture, reaching across centuries to empathize with people who were not so very different than us.
Plus, he’s scorchingly funny when the occasion calls for it. Both the abridged and the three-volume work walk that fine line between major events and small, crystalline, and often poignant or hysterically amusing details.
"Norwich is always on the lookout for the small but revealing details. . . . All of this he recounts in a style that consistently entertains." --The New York Times Book Review
In this magisterial adaptation of his epic three-volume history of Byzantium, John Julius Norwich chronicles the world's longest-lived Christian empire. Beginning with Constantine the Great, who in a.d. 330 made Christianity the religion of his realm and then transferred its capital to the city that would bear his name, Norwich follows the course of eleven centuries of Byzantine statecraft and warfare, politics and theology, manners and art.
Too often, our idea of history (or prehistory) is of men doing things and women silently following. Barber dives into the history of textiles to show how spinning, weaving, and cloth were not only drivers of culture and civilization but also a major technological achievement akin to harnessing fire and developing agriculture.
I was blown away both by the book’s premise and by the obvious passion and breadth of knowledge Barber brought to showing just how the stunning leap forward taken by women with spindles kick-started what we think of as civilization.
We take clothes for granted, but the first person to think of cloth rather than animal skins gave a great gift to humanity, one which may never be equaled.
New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies.
Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.
Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have…
A Flame in the North is a love song to various things: Norse mythology, werewolf lore, epic fantasy, and JRR Tolkien’s work, especially The Silmarillion. I wanted to write a protagonist whose strength lies in different areas than what we usually consider “epic,” in negotiation, wit, cunning, and endurance rather than brutality or swordplay.
Solveig’s role as a wisewoman and lord’s daughter is a very well-defined one. She’s responsible for negotiations, for judgment in legal cases, for protecting her settlement against disaster and evil influences, and as a woman, she’s also responsible for weaving the cloth that bedding, clothing, and other items depend on. Without the loom and the needle, her people would be naked and dead, and without her skill and cunning, they might suffer even worse.
I have been captivated by the study of prisons since my early college years. The fact that prisons are so new in human history still feels mind-blowing to me. I used to think that prisons have just always been around, but when you realize they are actually new, that has major implications. This is nowhere more clear than at the beginning: how hard it was to get to the point where prisons made sense to people, to agree on how prisons should be designed and managed, and to keep on the same path when prisons very quickly started to fail. It’s still puzzling to me.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the leading cities for penal reform, Eastern ultimately defied national norms and was the subject of intense international criticism.
The Deviant Prison traces the rise and fall of Eastern's unique "Pennsylvania System" of solitary confinement and explores how and why Eastern's administrators kept the system going, despite great personal cost to…
The Deviant Prison: Philadelphia's Eastern State Penitentiary and the Origins of America's Modern Penal System, 1829-1913
Early nineteenth-century American prisons followed one of two dominant models: the Auburn system, in which prisoners performed factory-style labor by day and were placed in solitary confinement at night, and the Pennsylvania system, where prisoners faced 24-hour solitary confinement for the duration of their sentences. By the close of the Civil War, the majority of prisons in the United States had adopted the Auburn system - the only exception was Philadelphia's Eastern State Penitentiary, making it the subject of much criticism and a fascinating outlier. Using the Eastern State Penitentiary as a case study, The Deviant Prison brings to light…
